|
|
|
|
|
|||||||||||||||||
|
Shaw's Magic Lives On
Shaw Brothers film studio ceased production 15 years ago, but the well-known movies it produced live on - on DVDs and VCDs
The Straits Times, 15 Dec 2002 By Clarissa Oon
In 1966, a Hong Kong martial-arts movie involving one cross-dressing female heroine and a drunken beggar changed the face of the genre. Using camera angles and editing to make you believe real blood was being spilt, Come Drink With Me broke with conventional filming methods that made swordfighting scenes look static and stagey. In director King Hu's first stab at a wuxia pian, the film anointed its lithe, graceful star, Cheng Pei Pei, as the consummate heroine of the genre. Produced by the legendary Shaw Brothers studio in its heyday, Come Drink With Me is now digitally restored on DVD and VCD, one of a sumptuous buffet of 760 titles from the Shaw library.
The first 10 titles from the collection, whose gems include the King Hu classic, were launched last week in nine Asian countries, including Singapore, by Hongkong-based company Celestial Pictures. Celestial, which is backed by Malaysian media group Usaha Tegas, paid HK$600 million (S$136 million) last year for the rights to the old Shaw movies. It will launch the other titles - mostly in Mandarin and spanning genres such as wuxia, period melodrama and comedy - in fortnightly batches over the next few years.
Mr William Pfeiffer, Celestial's chief executive officer, said: 'For years, many entertainment companies, including many big Hollywood studios, have expressed their interest to acquire the Shaw Brothers library.'
Saying that Celestial was 'honoured' to be selected to restore and market the films, he added that it took a team of 30 professionals to clean up every speck of dirt that had gathered on the more than 100 million frames of footage.
The Shaw Brothers film studio along Hongkong's Clearwater Bay was South-east Asia's movie-making machine in the 1960s and 1970s. Founded by Sir Run Run Shaw in 1958, the studio also had a training unit, the Southern Drama School. There, it trained its stars like Cheng, who was barely 20 when Come Drink With Me shot her to fame, and Yueh Hua, who played the drunken beggar in the movie.
The Shaw Brothers studio ceased production 15 years ago, but its legacy still resonates around the world.
Crouching Tiger Hidden Dragon, the Lee Ang martial-arts flick which stormed the world two years ago, was a loving homage to such seminal Shaw movies as Come Drink With Me and Dragon's Inn (1967), also directed by King Hu but not yet out on DVD or VCD. Cheng had a supporting role in Crouching Tiger as Zhang Ziyi's evil nanny. Hollywood director Quentin Tarantino, also a wuxia fan, has his own tribute planned - martial-arts movie Kill Bill, due out in the second half of next year.
Sunday Life! takes a trip down memory lane, chatting with legendary Shaw actors Cheng Pei Pei and Yueh Hua about the magic of making those old films.
Director Sneaked in Wine for Me
Yueh Hua, along with the likes of Cheng Pei Pei, Ti Lung and David Chiang, was among a group of actors cultivated by Shaw in the 1960s to star in its successful wuxia movies. He acted in Shaw Brothers' films from 1964 to the mid-1980s, and then did TV dramas for Hongkong stations ATV and TVB.
Now 60, he lives with his wife and 24-year-old daughter in Vancouver, Canada. He does volunteer work such as emceeing for fund-raisers, but says he would act again if offered a good role. He spoke to Sunday Life! in Mandarin.
Background: 'I joined Shaw's training studio in 1963 at the age of 21. I was born in Shanghai, but left for Hongkong when I was 19 to join my father, who was working in the construction industry there. 'I studied music in Shanghai and played the flute. At Shaw's school, I received training in all kinds of art forms: acting, martial arts, even ballet.'The Shaw years: 'I acted in more wuxia movies than anything else because these were the money-spinners and the company wanted the younger actors, who were more agile, to do them.
'The most unforgettable part of making movies then was the camaraderie among the actors. While filming, most of us lived in the Shaw studio's dormitory. We were like one big family.'On Come Drink With Me: 'I played a drunken beggar who was a skilled pugilist. I had to pretend to be drunk yet very alert.
'When we were filming, King Hu smuggled wine into the gourds for me to make it more realistic, so at certain points in the film, I was drunk.'
King Hu was Like a Brother
Thirty years on, her gamine features still sparkle as they did in Come Drink With Me, where her two swords made swift work of less nimble enemies. Cheng Pei Pei (right), now 56, was in town last Wednesday for the DVD and VCD launch of the Shaw library. She acted in Shaw Brothers' movies for seven years before moving to the United States with her husband in the early 1970s.
She is now a mother of four grown-up children. Her daughters, Eugenia and Marsha Yuan, are also actresses, the former in Hollywood and the latter in Hongkong. Cheng Pei Pei now lives in Hongkong with Marsha. She spoke to Sunday Life! in English.
Background: 'I was born and raised in Shanghai. My father had been jailed for opposing the communists, so one by one, the rest of the family moved to Hongkong. I migrated in 1961 at the age of 15. In Hongkong, I had a language problem. I could not speak Cantonese and I had no friends.
'At that time, Shaw Brothers had a training school called the Southern Drama School. Many of their films were in Mandarin; the production values of Cantonese movies were going down and fewer people were watching Cantonese movies.
'Since I had been learning ballet and Chinese dance since I was eight, and acting was something similar, my mother and I thought I could make friends at the drama school.'Breakthrough role: As Golden Swallow in Come Drink With Me, she plays a girl who enters the pugilistic world as a swordsman to rescue her captive brother.
'After that, the company always wanted to use me in swordfighting dramas. Until now, I still do them, so it has been a big influence on me.'Favourite directors: King Hu and Yue Feng, one of the most prolific and professional directors of the time.
'Yue Lao Ye (Teacher Yue) was a very honest, upright person who always asked us whether we were in the business for fame and money or for the love of acting. He told us: Stars don't last but actors do.
'The King Hu we knew was not only a teacher but also a brother. He was only about 10 years older than us and a bachelor at the time, so we used to have gatherings at his house.' |
|
|
|||||||||||||||
|
|
|||||||||||||||||
|
[ Main ] |
|