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A 3D montage from True Legend whereby Zhao Wen Zhuo challenges his imagined opponent in order to elevate his martial arts skill was shown for the first time at a press conference in Beijing on December 20, attended by director Yuen Wo Ping, the cast Zhou Xun, Jiang Lu Xia and Will Liu. Post-production took over 10 months in order to create the fight scenes in 3D, done painstakingly layer by layer, frame by frame by Menfond Electronic Art and over 100 digital artists. Yuen Wo Ping says that to shoot the 3D action scenes, two cameras had to be set up, and he tried to devise moves that aren't too fanciful, such that the action could be seen distinctly, for maximum 3D visual impact.

Continue reading "True Legend in 3D - Partially"

 As the martial arts director for Wong Kar Wai's The Great Master, what do you think of Ip Man trend?
 Yuen Wo Ping: It might bring back the kungfu film wave, when there are so many Ip Man related films. Actually, the first was Wong Kar Wai, he talked about it for years, but only started shooting now. They have already finished filming Ip Man 2, yet he hadn't even started. I have to hand it to him, such patience, taking such a long time to do the preparation. I don't dawdle, dawdling grinds people to death. Continue reading "Yuen Wo Ping on Ip Man Trend and Those He Has Worked With"

While promoting Bodyguards and Assassins in Shanghai on December 9, producers Peter Chan and Yu Dong gave their thanks to Donnie Yen for helping the film wrap up successfully, returning to the set after filming had ended to re-enact a fight scene without taking extra pay. They also presented Donnie Yen with a film print of the parkour fight scene, that Donnie Yen, working with Cung Le and his longstanding team of 17 stuntmen, choreographed.

Continue reading "Donnie Yen Crossing Path with Cung Le in More Ways than One"

Being set in an imaginary ancient kingdom, Emi Wada created the costumes for Rain of Swords in the Pugilistic World with Ming Dynasty clothing in mind, yet infused them with a modern touch, such as the patchwork for a Michelle Yeoh's outfit. To reflect a more rustic, everyday feel, the clothes were made of hemp, and intentionally left creased.

Continue reading "The Three Assassins of Rain of Swords in the Pugilistic World"