Images

From Wu Jing's February 26, 2010 blog entry:

To experience life in Shaolin
To be better immersed in character
With the intention of paying respect to Shaolin
Staying for seven days in Shaolin Temple to practise Zen

Whether it is practising martial arts, meditating, filming, calligraphy
Tea appreciation, discussing Tao, doing business, or falling in love
They are but a voyage of self-discovery, the process of illuminating, perfecting oneself
To boost one's own confidence, calmly facing trials and tribulations in life

Buddha - an enlightened being

 

-- Shaolin --
Here are some early mages of director Benny Chan and action director Corey Yuen, as well as cast members Andy Lau, Wu Jing, Xing Yu and Nicholas Tse rehearsing on the set of Shaolin in Hengdian, courtesy of Netease and Sina.

 

 

It appears that both Andy Lau and Nicholas Tse are warlords initially, while Wu Jing is originally a monk. Though this is likely to change drastically as the film progresses, with the former becoming monks while the latter turns into a treacherous warlord. Yu Hai, 68, is playing the Shaolin abbot, Wu Jing's mentor. Jackie Chan would soon be joining the production for his cameo as a Shaolin chef with concealed skills.

 

-- True Legend --
 There are only two scenes - Thousand-Buddha Cliff and Thousand-Snake Cavern - in True Legend which are in 3D, clocking around 20 minutes in all. Both use different 3D-technologies and finale between Zhao Wen Zhuo and Andy On in the Thousand-Snake Cavern is significantly better, with clearer, more palpable images and 3D effects, as well as better fighting.
 
 The Thousand-Buddha Cliff is an imagined place which sees Beggar Su (Zhao Wen Zhuo) raising his martial arts skills under the guidance of Whitebeard (Gordon Liu) and through his sparring with Lord of Martial Arts. It's rather jarring watching this scene as the audience have to keep putting on and removing the 3D lenses as it's interrupted occasionally by other scenes, which are in 2D.
 
 But why is the film not in full 3D? Director Yuen Wo Ping explains, "Producing a 3D film consumes lots of human resources as well as material resources. It already took over 100 digital artists slogging day and night for over half a year to create these two 3D fight scenes. Initially, I had hoped to make this a full 3D film, but the budget was really astronomical, requiring US$200m to 300m, and the post-production would take 5 years. So, I picked the two most important action scenes to be in 3D."
 
 Alternatively, Yuen Wo Ping might take a leaf out of Harry Potter and the Deathly Hallows' book, which was shot in 2D, but converted to 3D at US$5m per film or US$10m for both parts.
 
 The script, written by Du Zhi Lang, follows the tried and tested forumla typical of kungfu films, and is said to bear close resemblance to Fearless that she also wrote: From Su Can's arrogant beginning to being badly beaten, demoralised and thrown into Yellow River, through his healing in a paradise-like place and elevation of his level of martial arts, to his return to fight the villain plus foreigner challengers. Still, Yuen Wo Ping finds the script to be pretty good, as Beggar Su's emotions are handled very well, and it has great character development, like how Beggar Su gradually becomes a great master.  Netease, Sina

 Set against backdrop of the boundless, arid, desolate desert in the western part of China, revolving around the three polar groups: detectives, runaway convicts, and assassins, Tempest of the Westerly Winds explores the hope for survival, the true meaning of love, the final resting place of destiny as the three groups keep each other in check and struggle against each other. Continue reading "Nicky Li Responds to Gao Qun Shu's Call to Give Everyone a Tempestuous Ride on Tempest of the Westerly Winds"