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Monday, March 1. 2010
Over 10 million yuan and around 4 months were spent on building the 1:1 life-size replica of Shaolin Temple in Yanshi, Yongkang. Some structures or props of the new Shaolin Temple were actually built larger for ease of filming or to impart a more numinous feel, such as the towering giant Buddha statue.
Continue reading "Shaolin: Andy Lau Teams up with Wu Jing, Xing Yu and Yu Shao Qun Against Nicholas Tse and Xiong Xin Xin"
Thursday, February 25. 2010
-- Shaolin -- Here are some early mages of director Benny Chan and action director Corey Yuen, as well as cast members Andy Lau, Wu Jing, Xing Yu and Nicholas Tse rehearsing on the set of Shaolin in Hengdian, courtesy of Netease and Sina. 
It appears that both Andy Lau and Nicholas Tse are warlords initially, while Wu Jing is originally a monk. Though this is likely to change drastically as the film progresses, with the former becoming monks while the latter turns into a treacherous warlord. Yu Hai, 68, is playing the Shaolin abbot, Wu Jing's mentor. Jackie Chan would soon be joining the production for his cameo as a Shaolin chef with concealed skills. 
Monday, February 1. 2010
Gordon Chan has been in the industry for some decades, starting at the Shaw Brothers as a special effect assistant and later writing scripts for Tsui Hark, John Woo and the likes in the Film Workshop. Writing has always been an important part in his professional life as he wrote all his films and helped out a lot of filmmakers to shape engaging stories. In addition to scriptwriting, Chan directed all kinds of movies from light social comedies like Heart to Hearts to nonsensical laugh-out-loud comedies such as the Fight Back To School series, King of Beggars, to police dramas and action flicks with Final Option, to kung fu films with Fist of Legend, to modern wuxia pian like Painted Skin or straight Jackie Chan’s flicks with Thunderbolt or The Medallion. HK Cinemagic >> More<<
Sunday, January 31. 2010
-- Shaolin --
Having completed his week-long stint at Shaolin Temple training for the film Shaolin, Wu Jing has left on January 26 and returned to the set of Tempest of Westerly Winds, which has two more action scenes to go, to resume filming. The executive working for Shaolin Temple says Wu Jing left him a very deep impression, is very professional and dedicated, has excellent driving skills, and is really multi-talented: diving, horse-riding, car racing, driving boat. He is very warm person and was very obliging to the kids at Shaolin requesting for a photo session, as well as fans at the hotel he was staying. It's certainly worth noting that Yu Hai and Xiong Xin Xin are involved in Shaolin as well. Jackie Chan is joining the production after Lunar New Year. Xiong Xin Xin mentions having a great time fighting Andy Lau several days ago, who lives up to his name as the role model in the industry. Despite not having formal wushu training, Andy Lau compares favourably to the stunt professionals, due to his hard work and effort.
Wednesday, January 20. 2010
-- Chinese Zodiac --
While promoting Little Big Soldier, Jackie Chan speaks of that which gave rise to the inspiration behind Armour of God III: Chinese Zodiac, his 100th movie in the leading role. It was six years back when Jackie Chan decided to do this film of exceptional meaning on recovery of lost Chinese national treasures - the last four missing pieces of Gardens of Perfect Clarity's 12 Head Statues of Chinese Zodiac.
He wants to address, through the film, the inequity concerning Chinese relics being kept elsewhere, "I once saw a Chinese Zodiac animal bust being auctioned in a foreign country, I was immensely stirred, why do we keep losing our national treasures to other countries? Last year, two more busts were auctioned, re-igniting my will to shoot the movie Chinese Zodiac. Why does such and such museum have so many Chinese national treasures? These are loots. Many big countries are saying those are world legacies, and they're safekeeping them, but in reality, they just want to possess them.
"Once, I set aside US$30m, intending to quietly buy back an animal bust for China. However, the final bid was US$100m, it was far too high, beyond what I could afford, and I had to give up. I had thought of making use of my kungfu skills, sneak into those museums, and get back all those lost national treasures one by one. But, their security was too high. But I believe, all these artifacts will gradually be returned by and by." Jackie Chan is leaving no stones unturned on Chinese Zodiac, allocating 70m yuan for one major action scene alone, "I have been hesitant about this for a long time, many told me it is too extravagant, and advised me against it. But eventually, I still go for it. This film will contain many vigorous action scenes, I'd almost be fighting throughout the film, but my most demanding action scenes will stop at this movie." Hunan TV, Information Times
Saturday, January 16. 2010
-- Chinese Zodiac -- Stanley Tong, who is collating and compiling information on Yi Quan with fellow disciples, hopes to shoot a TV series and film on it as most people are unfamiliar with it. He says that Yi Quan is a form of boxing focusing on regulating one's health, and has helped him tremendously in his life and career over the years.
Stanley Tong also reveals that his most important work right now is Chinese Zodiac, "I'll soon be working with Jackie Chan on his hundredth film Chinese Zodiac. We plan to do pre-production during Lunar New Year holidays as we're both tied down by other works otherwise. I am serving as the film's producer, while Jackie Chan is directing. Jackie Chan hasn't directed any film in a while, but I have complete faith in his ability as a director, and I'm also looking forward to this commemorative work of his."
Reportedly, Chinese Zodiac is an action-adventure-comedy relating to retrieval of lost Chinese national treasures scattered all over the world. Chinese Zodiac is slated for production in around April. Sina
Saturday, January 16. 2010
-- Shaolin -- As opposed the bustling press conference (that was rather rowdy and disorganised due to huge turnout) held last October, Shaolin has begun production very quietly in Hengdian in the beginning of this month. Benny Chan is keeping a low profile as usual, and Shaolin's sets are off-limits to anyone, with tight security being implemented, as some reporters snooping around, fishing for information found out. Majority of scenes revolving around Shaolin Temple will be filmed on the custom-built set; only a handful of scenes will be shot on actual Shaolin Temple.
Apart from previously announced cast Jackie Chan, Andy Lau, Nicholas Tse, Wu Jing, Fan Bing Bing, Xing Yu, Yu Shao Qun, Liang Jing Ke, et al., Yu Hai and Xiong Xin Xin are also joining the production. Shooting takes around 4 to 5 months, and the film is tentatively scheduled for year-end/next Chinese New year release.
Tuesday, January 12. 2010
 With his rising popularity and big sellouts of his films, Donnie Yen is fast becoming one of the top earners in the industry, commanding up to 20m yuan per film this year, after Jackie Chan (30m yuan), Jet Li (25m yuan) and Chow Yun Fatt (25m yuan). Hailed as the new King of Kung Fu, he is getting even more offers this year, running the gamut from historical epic on 《关云长》 General Guan Yun Chang by Felix Chong and Alan Mak, through comic book adaptation 《中华英雄》 A Man Called Hero remake, to mythological feature 《大闹天宫》 Monkey King.
Continue reading "Donnie Yen Seeks Quantum Leaps for Each Film He Does"
Tuesday, December 22. 2009
A 3D montage from True Legend whereby Zhao Wen Zhuo challenges his imagined opponent in order to elevate his martial arts skill was shown for the first time at a press conference in Beijing on December 20, attended by director Yuen Wo Ping, the cast Zhou Xun, Jiang Lu Xia and Will Liu. Post-production took over 10 months in order to create the fight scenes in 3D, done painstakingly layer by layer, frame by frame by Menfond Electronic Art and over 100 digital artists. Yuen Wo Ping says that to shoot the 3D action scenes, two cameras had to be set up, and he tried to devise moves that aren't too fanciful, such that the action could be seen distinctly, for maximum 3D visual impact.
Continue reading "True Legend in 3D - Partially"
Friday, November 27. 2009
-- Little Big Soldier -- Little Big Soldier is about an older soldier Jackie Chan capturing an enemy general and bringing him on a long journey for reward - to be discharged from military service. 
 More images on Sina Trailer: Sina
Friday, October 23. 2009
 At the pre-production press conference ( video) at the famed Shaolin Temple on Mt Song on October 22, it was announced that apart from Emperor Motion Pictures and Shaolin Cultural Communication, China Film Group, Huayi Brothers and Henan TV are also co-producing the kungfu epic, Shaolin, budgeted at close to 200 million yuan.
Continue reading "Benny Chan Narrates A New Story of Shaolin"
Thursday, October 15. 2009
-- New Shaolin Temple -- Rumours have been floating around for some time regarding who is set to star in Hong Kong veteran director Benny Chan’s upcoming - all star cast laden - martial arts epic Shaolin. Well now it seems most of the talent has signed on the dotted line and it’s quite the who's who of A-list Action stars. Andy Lau, Nicholas Tse and Wu Jing!! are confirmed, with that added plus of a cameo appearance by none other than Jackie Chan. Soooold! This movie is not be a remake or sequel to Jet Li’s 80s classic Shaolin Temple. Rather, it is an entirely new story, written by Alan Yuen, that is set in early 1900s Republican period. Shot in a real Shaolin Temple it will also feature real life Shaolin monks in the supporting cast using exotic Shaolin kung-fu. Filming is due to start this December, and is expected to be completed by April 2010. Synopsis: China is plunged into strife as feuding warlords try to expand their power by warring over neighboring lands. Fuelled by his success on the battlefield, young and arrogant Hao Jie sneers at Shaolin's masters when he beats one of them in a duel. But the pride comes before a fall. When his own family is wiped out by a rival warlord, Hao Jie is forced to take refuge with the monks. As the civil unrest spreads and the people suffer, Hao Jie and the Shaolin masters are forced to take a fiery stand against the evil warlords. They launch a daring plan or rescue and escape. 24FramesPerSecond, via Maz
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